The Eagleman Stag is a rare feat of short filmmaking. Resolutely strange, mysteriously beautiful, Michael Please’s Royal College of Art dissertation + recent BAFTA award-winning film is a masterpiece of both conceptual and technical prowess. Stirring monochrome models and sets pair with a foolishly ambitious, but breathless narrative, to create a whole which is unlike anything you’ve seen before. Epitomizing the promise of the form, The Eagleman Stag is a true realization of short film’s inherent potential to birth works that are not amateur derivations of popular forms, but emergences of the new.
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